Wednesday, December 30, 2009

Just another day plus...


Another few hours and the StarShipSofa benefit sale of my novella, LORD DICKENS... Hell, you know what it is! So, for the last time, on December 31, the benefit at the StarShip is over. Done. Finished. For us Unistatians, it's about 5 bucks. Come on! For you Brits, it's 2 pounds 99. I have no idea what Canadians have to shell out. But come on.

This is my first science fiction tale since I lived in Philly and wrote some decently cool stuff set in the Pine Barrens of New Jersey sometime during the 21st century and... Well, the screenplay version of it got me in to see just about everyone in LA.

Of course no one bought or produced it...

I'm babbling. All I want to say is thanks to all of you who've contributed to this project. To Skeet Scienski who illustrated it and whose cover picture for StarShipSofa Stories, Vol. 1 started it; to Dee Cunniffe who laid out the book in what seemed like an overnight turn-around; to Tony C. Smith for having the balls to give me the job; to all who've helped promote the project; to Neil and Matthew and Corey and all the others who helped get the word out; to Josh Leuze who said, "hey! someone ought to do a story about that!"; to the community at large...thanks beyond my ability to thank.

To those of you who haven't yet bought a copy! CONFOUND YOU ALL.. get your butts over to the Starship and put 5 bucks out there.

Below is the press release we've been sending everywhere...just so you know all the details...

And Happy New Year Spider and Jeanne and everyone.

PRESS RELEASE FOR IMMEDIATE RELEASE

STARSHIPSOFA GOES TO THE DICKENS FOR THE ROBINSONS

The British podcast site StarShipSofa (http://www.starshipsofa.com/) is working to rally the science fiction/fantasy community around Spider and Jeanne Robinson this Holiday Season with a special book offer. Jeanne Robinson suffers from a rare form of biliary cancer, the treatments for which have eaten away at the Robinson’s finances as doctors aggressively fight the to keep the disease from spreading.
To give them a helping hand, the online science fiction audio magazine has released an original three-episode novella by multiple Bram Stoker Award nominee Lawrence Santoro. StarShipSofa visitors and subscribers can hear Santoro read "Lord Dickens's Declaration" free of charge.
They may also elect to purchase an ebook of the 23,000 word novella with art by American illustrator Skeet Scienski. Priced at a minimum donation of 2.99 GBP (about $5 US), the purchaser has an option to donate more in increments of 10, 20, 50, & 100 pounds. All proceeds from the sale of the book will go to the Robinsons.
Santoro suspended work on another writing project to write and record ‘Lord Dickens…’. “Over the years, Spider and Jeanne’s work has been a constant on my home shelf and in my memory,” he said. “Giving the Robinson’s a couple months work is small payback. Keep dancing, Jeanne!”
The "Lord Dickens..." ebook will be available for purchase only through December 31st.
Said, StarShipSofa editor Tony C. Smith, “Any fan of the Robinson's can attest to their strength, but we hope that through this time of strife, the science fiction and fantasy community can help them survive through the worst. Thank you for standing with them in their time of need."

Monday, December 28, 2009

The Print Version of LORD DICKENS'S DECLARATION

This is what Humpty Dumpty might have called a good portmanteau post.

The print version of the novella I wrote in aid of the StarShipSofa's fund-raiser for Jeanne and Spider Robinson has arrived for my signature. I'd worried about it ever since the StarShip's editor Tony Smith told me he was mailing it to me to put hands to and autograph. Our postal service in the universe of 60657 is dodgy to say the least. Most things intended for my block seem to find their way into my slot on the expectation that I'll do the delivery. This, of course, is only my perception since many things intended for me seem to find their way into other people's slots and, eventually, get delivered to me with nasty notes wondering why the final delivery Samaritan should have bothered.

But this one arrived. Well, that little salmon slip arrived, the one that announces that a postal employee had actually come to my door -- from past experience this is no guarantee that the actual package would be at the "carrier annex" when I got there to pick it up.

At any rate: it was. I have it. I've opened it. I've looked at it. I've loved it. And, soon, I'll sign it.

All of this is NOT to disparage of the U.S. Postal Service and it's many fine employees. No. It is to remind any of you who are out there and who have NOT bought the .pdf download of LORD DICKENS...that you have until December 31, 2009, to do so and to make your contribution to Jeanne and Spider Robinson.

So go. Go to the StarShip. Click on the appropriate link in the upper right corner of your screen and buy it. You won't have to wait. You won't be subject to the vagaries of the...

But I said I'd not disparage of that semi-government agency any more.

So Happy New Year. And go buy a copy of the book! 'K?!

Saturday, December 12, 2009

FINISHING UP LORD DICKENS...

That's it. I'm finished. I can now return to the novel, I can stop hauling my 'puter around with me. I can stop being a mumbling freak, I need not write and edit on the 'L' and bus. I don't have to lock myself in my office at lunch.

I hope those who listened loved it. I hope those who bought it, read with delight. I hope the money it made helped Spider and Jeanne Robinson just a bit in a very shitty time in their lives.

Now, for the rest of things...

Wednesday, December 09, 2009

Best of StarShipSofa 2010


Wednesday, December 9, the second installment of LORD DICKENS'S DECLARATION went up at StarShipSofa.com.

With it was an announcement of the nominees for "The Best of StarShipSofa" for the past year and I was surprised and delighted to hear that my short short, "Then, Just a Dream" (which won the Flash Fiction competition at the Toronto World Horror Convention in 2007), is a nominee. I was also nominated for narration...I forget how many stories of my own or other people I did during the year. Quite a few, I think. And my "Progress Reports" on the writing of LORD DICKENS... was also among the short-listed Fact offerings of the year.

Thanks to everyone for thinking of me.

Here's the full list of nominees...

BEST MAIN FICTION
Exhalation by Ted Chiang (ep #66)
The Empire of Ice Cream by Jeffery Ford (ep #94)
Mars: A Traveler’s Guide by Ruth Nestvold (ep #73)
Lester Young and the Jupiter’s Moons by Gord Sellar (ep #71)
Child Of An Ancient City by Tad Williams (ep #106)

BEST FLASH & SHORT FICTION
Two Dreams On Trains by Elizabeth Bear (ep #100)
Jesus and the Cowboys by Jay Lake (ep #63)
Bob The Dinosaur Goes To Disneyland by Joe R Lansdale (ep #100)
Then, Just a Dream by Lawerence Santoro (ep #84)
Hard Rain by Matthew Sanborn Smith (ep #54)

BEST POETRY OR SONG CONTRIBUTOR
Michael Bishop
Neil Gaiman
Fred Himebaugh
Norm Sherman
Laurel Winter

BEST NARRATOR
Mike Boris
Jim Campanella
Larry Santoro
Amy H Sturgis
Spider Robinson

BEST FACT ARTICLE CONTRIBUTOR
Jim Campanella (Science News)
Matthew Sanborn Smith (Fiction Crawler)
Lawrence Santoro (Progress Reports)
Amy H Sturgis (History of the Genre)
Damien G Walter (Support Our Zines)

BEST ARTWORK
March 09 (Episode 71) - Skeet
August 09 (Episode 97) - Alllie
"The Reflection of Memory" (Episode 105) - Oleksandra Barysheva
November 09 (Episode 110) - Skeet
StarShipSofa Stories Volume 1 - Skeet

To vote, click on the title of this blog entry to go to the first page of the ballot.

Wednesday, December 02, 2009

Still working on LORD DICKENS...


I've just completed the text for the "Previously on..." introduction to the conclusion of LORD DICKENS'S DECLARATION. I'll record it tomorrow. That leaves only a polish edit of the episode itself and, perhaps, a final -- and very SHORT -- narrative at the end.

I've got to let this thing go. Let it be by itself for a while. Look at it again six months from now, a year... I do my best re-work that way. Anyway. I did a little colorization to the cover image. Just because.

Hope you're all going to the StarShip and that you're buying copies of the thing and that you're not just paying the minimum 2 pounds 99. Bump it up. Pay 10, 20 quid for it. Go on. It's Christmas.

LORD DICKENS'S DECLARATION - Now up and running...


With no more fanfare or ballyhoo than that tintinabulated by my hundreds of emails sent earlier this week, there it is. You can now hear the first 1 hour and 10 minutes of LORD DICKENS'S DECLARATION. You can also buy a PDF copy of the book, complete with Skeet Scienski's illustrations and have your purchase price go to help Spider and Jeanne Robinson. Go to the site, you'll hear editor Tony C. Smith tell you all about it!

Enjoy!

And...ah HA! Word just in that one of those tintinabulations sent out this week has landed on the Tor Books online presence thanks to my old Sofanaut buddy Pablo Difendini at Tor.

Friday, November 27, 2009

For those who like Crumhorns and Shawn, Dufay Collective is good... and a brief update on LORD DICKENS...

No reason for this, I just thought it would be nice to have some decent music playing while you read or look or do whatever you do when you stop by.











Classical by Magnatune Compilation

If you want something else...just make a selection.

Oh, by the way, the proofing is done. I've written the first of the two "Previously on..." introductions to LORD DICKENS... I'll record it tomorrow.

Good night.

Wednesday, November 25, 2009

LORD DICKENS'S DECLARATION

Okay. It's finished. More or less. More on that later.

What is: it's sent. More or less. The words, they're in other hands. Dee Cunniffe in Ireland has the RTF and is doing the layout. 22,879 words.

Tony Smith in the north of England -- somewhere near Scotland, somewhere near the channel between Europe and Blighty -- has the first third of the audio. That goes up on the StarShip December 2.

The audio is in the can and mostly edited. Episode One (of three) is what Tony's got. It's done. I'm still fussing with fragments of seconds on two and three. Part One 'casts at 1 hour, 11 minutes and 30 seconds. Part Two is roughly 45 minutes. Part Three, about 1 hour, 5.

Somewhere in the Carolinas, Skeet Scienski is driving himself blind and breathless to finish the art. I saw one of the plates late last night. Lovely. Moody. An atmospheric morning duel, shadows by a misty river. The image caught perfectly the moment in the story that it illustrates. He's fussing with a minor change. Still...it's wondrous.

What is not yet: I've still got to do a couple of "Previously on LORD DICKENS'S DECLARATION" lead-ins to Eps. Two and Three. The one for Two is written but hasn't been recorded. Bugger Three for now. It's Thanksgiving.

Thursday, October 15, 2009

StarShipSofa Stories - the Hardcover

Forgive the sleazy images on this one and the brevity of the entry but I just received my copy of the hardback edition of STARSHIP SOFA STORIES, Volume 1. Very nice-looking book. With stories by Gene Wolfe, Joe Lansdale, Michael Moorcock, Spider Robinson, Elizabeth Bear...lot more. I'm in there with LITTLE GIRL DOWN THE WAY.

Buffing between tales, they've posted some of the great comic book ads from my kidhood... Ads like....
...and...
and not to mention this...

And then...ah well...


At 183 pounds I could only WISH to be a 98 pound weaking...

Monday, October 05, 2009

The Smell of Clove


I've got this friend. Really! Wayne Allen Sallee. A first-rate writer of horror and of things strange enough to be horror but are really only life as it's lived by Wayne Allen Sallee.

His mind, his body and memory, the hunting ground on which his stories snuffle, lives in those parts of the City where I rarely go: the distant, run-down, wide open, late-at-night places, areas of closed factories, rail sidings, busted bars still open, or nearly open, in dead-headed strip-malls. On his site...click above... he's got a grand tale from his late kidhood about being picked up by what may have been a serial killer.

You can just breathe it in.

I've posted a picture, but Wayne's got them there. And they signify! Fact is...when LORD DICKENS'S DECLARATION is finished and out, I'm going to write a story that Wayne's tale resurrected from my own late adolescence. I can see it now...

Anyway, Wayne is one hell of a writer and if you don't know his work, amend your ways.

As a side-bar... LORD DICKENS progresses. I see the summit in the sun and blowing snow and am trying to figure the best route to the top.

Stop by www.starshipsofa.com this Wednesday. I'm on a roundtable with the people who put together the StarShipSofa Stories book. Well... We had fun recording it.

Friday, September 25, 2009

Here's the story...

I've now been on this subject for several posts. With me, it's an exciting month when I'm here once.

The novella I'm doing at the request of StarShipSofa editor Tony C. Smith will be a one-off book with art and illustrations by Skeet Scienski. The sale of that book will be to benefit Spider and Jeanne Robinson. Jeanne has cancer and, even in Canada, the illness and the human complications that come with it have pretty much drained the Robinson's resources.

In the wake of the release of the StarShip's first print venture, Tony thought to put together a long story and the art that both inspired and will, I'm sure, enhance it, bring them together in a book -- One Book -- and sell that single copy to whomever puts up the most money for Spider and Jeanne.

I'm told that person has been identified and the money committed. Thank you whomever you are.

THINK STEAMPUNK...


At present the title of the story is: LORD DICKENS'S DECLARATION. Not set in stone but that's how my computer knows it. When finished, LORD DICKENS will probably come in at 10 to 12K words. As mentioned, if you stop by the Starship and listen to Aural Delights 100 and 101 there are reports being posted. I've called them Progress Reports but they're less about progress than they are about process. Progress? A couple words can cover that: 750 words today... 825 yesterday... Cut some. Added a scene... Not very interesting audio.

What I'm doing is an audio diary of where the stuff is coming from as it arrives. For my own sake as well as anyone who's interestd, I'm trying to keep a record of the starts and stops, the surprises, how pissed off I get at myself, how good it feels to actually get through some passages and my ongoing reluctance at times to let something alone! It's about the frustration at my own limitations. Well, Tony wanted this, "warts and all."

In several publications and with all of the audio pieces I've done for the StarShip, I've provided short "making-of" documents. These are about finished products. LITTLE GIRL DOWN THE WAY, for example. I wrote that story in anger because a real little girl died at the hands of a loved one just down the way from my apartment in Chicago. I gave her a voice from the grave, gave her a happy ending. As I mention in that post-script, the story posits the not very original notion that heaven and hell can be the same place -- depending on who you are. That summary was arrived at only after I'd finished the thing, something I realized I was saying only after I'd said it. I could never have included that assessment while progressing with the story.

Does that make me glib? Facile but insincere? Well...

I've said to friends that my writing process is like dumpster diving. It's probably more like (nicer image here) running out a net and seeing what flops out on deck.

Generally, I've no idea where I'm going when I start a project. A whim, a notion, character, an image and I'll start typing. Then things happen from here to...wherethefuckever...then its over. I can be writing in one direction and some sonofabitch on the page says or does something and I'm off in another. Surprise!

Had one the other morning. Eating my Cheerios and the radio plays a song and WHAM... I know this story's going to swerve. It swerves. And I've got a new ending. No, to be honest, I should say, I have an ending!

Glib? I don't know. Bungling off without a roadmap in Storyland certainly makes me less intellectually rigorous than i'd like to think I am. And I suppose, in a nutshell, that's what glib is.

In any event, all I have to do now is finish the thing AND get enough pieces of it to Skeet so he can do his thing.

I'll keep posting Process Reports on the Sofa in hopes that listeners will have an interest in them.

I know I will.

Thursday, September 24, 2009

Progress Report #2


I'm making a series of audio progress reports over at the StarShipSofa.com about the novella I'm writing on request and which is due to be delivered, recorded and ready for publication on or about the beginning of December. It uses Skeet Scienski's cover for StarShipSofa Stories as inspiration... The illustration above is from Skeet's Virtual Art Gallery on Facebook.

Sunday, September 20, 2009

More about STARSHIPSOFA STORIES VOLUME 1

StarShipSofa Stories, Volume 1 StarShipSofa Stories, Volume 1 by edited by Tony C Smith


My rating: 5 of 5 stars
This isn't a review but, rather, a notice that this book exists. I gave it five stars at GoodReads even though my story LITTLE GIRL DOWN THE WAY (from HELL IN THE HEARTLAD) is in it...not that I don't like LITTLE GIRL, it's just that the quality of the stories included in the book is so very high.

SSS STORIES is a compilation of 15 tales that the editors of the British podcast site, STARSHIPSOFA.COM have decided are the best from the series' first two years. I recommend it for all fans of science fiction, fantasy and horror. Have a look at the contents:

“Into The Blank Where Life Is Hurled” by Ken Scholes
“London Bone” by Michael Moorcock
“The Second Coming Of Jasmine Fitzgerald” by Peter Watts
“Lester Young and The Jupiter’s Moons’ Blues” by Gord Sellar
“Vampire Kiss” by Gene Wolfe
“Vinegar Peace (or The Wrong-Way Used-Adult Orphanage)” by Michael Bishop
“Godzilla’s 12 Step Program” by Joe R Lansdale
“Jesus Christ, Reanimator” by Ken MacLeod
“The Sledge-Maker’s Daughter” by Alastair Reynolds
“Mars: A Travelers Guide” by Ruth Nestvold
“The Empire of Ice Cream” by Jeffrey Ford
“The Ant King: A California Fairytale” by Benjamin Rosebaum
“In The Olden Days” by Spider Robinson
“Tideline” by Elizabeth Bear
“Little Girl Down The Way” by Lawrence Santoro

Obviously, I'm thrilled to be one among this group of writers. By the way, of the 15 stories in the book, I did the narration on the StarShip for four of them.

As an added treat for me, Tony C. Smith, founder/editor/paterfamilias of SSS has asked me to do a novella that will be published as a stand-alone book in late 2009, the proceeds for which will go to Spider and Jeanne Robinson.

The novella-in-progress -- scheduled for about 10 to 12 thousand words -- is inspired by the SSS Stories cover illustration by Skeet Scienski.

If you go here:http://www.starshipsofa.com/anthology/

You can order a copy of the book and/or download a free PDF file of it.

Oh...you'll enjoy the inter-tale ads and the story illustrations too.

View all my reviews >>

Friday, September 11, 2009

StarShipSofa Stories


The British podcast site StarShipSofa is about to release its first "Best of..." book. This paper and ink beauty will be released on the occasion of the Sofa's 100th 'cast.

I am pleased that my story, "Little Girl Down the Way," will be included. I'm honored to be nestled among the likes of Gene Wolfe, Joe R. Lansdale, Cory Doctorow... and others.

When I learn more, I'll post more!

Friday, August 14, 2009

A Quick Note

On September 3 of this year -- that's 2009, I don't get here very often -- the Science Fiction podcast site "Escape Pod" will be 'casting a story by Eugie Foster the title of which, SINNER, BAKER, FABULIST, PRIEST; RED MASK, BLACK MASK, GENTLEMAN, BEAST, is a real tweak. I love long titles. You may have noticed.

Ah. I'm narrating the thing. That's the point of this post. The story is dark, lush, richly evocative and gives me lots of nifty characters to fuss with. Love it. It's also a great story! Did I forget that in the rush to talk about my small part in bringing it to you? It is. It makes me want to read a lot more of Ms. Foster's work.

As a sidebar, I'm preparing another one of my stories for the British podcast site, www.starshipsoft.com Not sure when that'll be.

So. What the hell do these pictures have to do with Eugie, Escape Pod, Starship Sofa, et al?


Nothing. These are resonance photos. They get me vibrating in sync with memories, they help the past get all harmonic with the present.So, finally, to let everyone know: the new book is at about the one-quarter point in it's coming-about. As of now, the title is "Love." It won't stay that short for long. The pictures on this post are from one very real location that's been hanging in my head for years and which features prominently in the book.

The book is about becoming a human being. It's about the horrors of becoming a real live person. It's about the terrors we ditch in that time when it first dawns on us that we're alive and just before the corollary to all that joy smacks us in the face.

Saturday, July 11, 2009

A Visit from a Colleague...a Friend





Last week, Tycelia and I had a visit from a friend we've never met. We've done things together, we've heard each other at work. We...










Okay... Diane Severson is one of the readers at the Brit podcst site I frequent.

The place is the Starship Sofa http://www.starshipsofa.com and I recommend Diane, her voice, her delivery, her way with wordage for any of you who like to hear rather than graze your poetry or fiction. She's never read any of my things -- not aloud, not as reader or narrator -- but I'd like to correct that oversight sometime soon! She's also a fine singer of songs and her CD, "Silence," is available on iTunes. Go have a listen. Lovely stuff.

Diane, an American from Madison, Wisconsin, lives in a town in Germany that begins with an "H" with her husband Magnus, an Italian from Verona (from whence come the Montagues and the Capulets) who is a nuclear engineer. They and Diane's dad, Don, a very impressive fellow from Iowa, visited Chicago briefly last week. We took pictures. Here are a few.

The people are all...well...us. Diane is the young pretty one, Tycelia is the older pretty one. Magnus is the young, good-looking dude. Don is the older good-looking dude. I'm the chubby one whose head explodes in the picture at the top.

Okay. The town is Hanover.



Thursday, May 14, 2009

"Then, Just a Dream"


E-friggin'-gad! I've become a blogger-mouth. Two entries in a week!

Okay. This is just a quickie to let you know I've got another story up on the British s.f. podcast site, StarShipSofa. Yep. Same place where the Sofanauts dwell...the subject of that earlier blog entry.

This one is "Then, Just a Dream" and it's quite a departure for me. It's short. Very short. So short that it won the flash fiction, "read like a motherfucker!" contest at the World Horror Convention in Toronto a couple years back. No point in my tapping keys about it here, I've got an audio introduction to the tale. So scoot over to http://www.starshipsofa.com and listen. "Then, Just..." is the top of the heap -- at least for this week. Aural Delight number 84.

Sunday, May 10, 2009

It's all done with Skype

Oh...oh my God... It's...it's...a new Blog! Okay. So you've gotten tired of the old thing? The video promo for JUST NORTH OF NOWHERE? Right? Okay.

To begin at the beginning.

I'm one of four participants in a roundtable discussion on The StarShipSofa's new site, "The Sofanauts."

StarShipSofa? It's a British s.f. podcast site. Yes. Free. People read science fiction to you for free. Go to www.starshipsofa.com. It's got a year-long backlog of great stuff.

Last year, the editor, one Tony C. Smith, contacted me and said that Gene Wolfe told him to contact me about one of HIS stories to which I had the adaptation rights...

This could go on and on... Okay. I had adapted Gene's "The Tree Is My Hat" and had a recording of the dramatization done at World Horror Con 2002 or so... I gave it to him. I also gave him a few stories of mine that I'd recorded and Tony was kind enough to 'cast them on the Starship. In addition, the site has a great forum whereon authors, critics, readers, fans, and other such folk chat and engage in incredibly decent, civilized discussions about all things s.f, fantasy and, sometimes, horror-related.

Recently, Tony began 'casting a series of weekly roundtable discussions with authors, critics...etc...that he called "The Sofanauts.

I am pleased to say, I just participated in Number 4 of the Sofanaut outings. It's all done by Skype, about which I understand not a lick. However, on Friday, at 10:25 in the morning, my time, and Tony, somewhere in the North of England at 4:25 in his afternoon, Jeremy Tolbert, managing editor of Escape Pod, somewhere in Colorado and somewhere around a yawning 9:25, and Damien G. Walter, writer and commentator for the BBC and the Guardian, abroad in the wilds of London and in Tony's Greenwich time, we all met in a magical place called Skype. We chatted over coffee and buckets -- don't ask! -- and talked and discussed in civilized ways and ranted and had a ball. And me, m'self, snug and safe here in Chicago! Isn't the 21st century the tits!

In any event, stop by and have a listen. You'll find us at: http://sofanauts.com/

And do drop by the StarShip. My work with them begins somewhere in the archives at Aural Delight #40. But there's an awful lot of freeby fun to be had there. Well, if you like s.f. and fantasy and a bit of horror. It's at http://www.starshipsofa.com/

AND I think Tony's going to 'cast another short piece of mine this week. It's that "Read like a Motherfucker" thing I did in Toronto for the brief fiction contest.

Later...

Monday, January 07, 2008

"Just North of Nowhere"

Without fussing too much about its making, I'm posting a video that my friend David Fell and I did to promote my book, "Just North of Nowhere."  I'll go into more detail later, but I want, first to see if I've got this right.  In case I have, enjoy. On the more than probable expectation I've screwed up this 'embedding' process, here is the url for the YouTube site: http://www.youtube.com/watch?v=TR-HtPSnGA

Here is my attempt to embed.



Criminies! It worked. Thanks, Dave.

So you know: the music is "Out of the Darkness" by Jeff Ball.

All video was shot in high definition and edited on Final Cut Pro by David Fell of Phaseshift.

I took the three still shots.

We shot the locations during a recent reading/signing event in Galena, Illinois, the southwestern edge of the driftless zone.

I'll fuss more later. Enjoy!

Friday, December 21, 2007

A WORD FROM THE WORLD

Below, please find a story I wrote for the Twilight Tales anthology, Winter Tales.   The book's out of print, so here it is.

"A Word from the World" IS a winter's tale and, thus, a very slight thing. So grab some hot chocolate and read. You'll be finished before it gets cold. I hope you enjoy...



A WORD FROM THE WORLD
by
Lawrence Santoro

The snow had started the day before. The sun was bright in a clear sky and it snowed! Each flake caught the sun. Sparkles swam in the air living along the wind. People passing on Cottage Street looked up to the clear air to let the cold colors hit them in the eye, or on the glasses. They smiled, admiring their shadows as they walked and the sunny, sunny snowstorm falling around them.

A genuine curiosity, Pop-pop called it.

Soon, though, the sky turned gray and the snow continued into the dark. This was more like it. All that blew and rolled down streets, all the things that stood at corners, squatted in the back alley or at the bottom of the yard were, first, stopped, then pinned to the ground by the falling snow, then covered into smooth lumps.

It snowed all through supper and after. It snowed through the radio and Pop-pop's reading. It snowed even harder when I went to bed. All night, I'd wake and go to the window to wish for more; I pressed my face against the cold glass to peer at the sky above the eaves. I wanted there to be more snow in it. And there was. The sky was black but the air was lit by the streetlight at the end of the alley. Pieces of white day fell through the night and brushed little whiskers against the glass. I thought the wet chill would crack my cheek when I smiled.

In the morning the world was new. Yesterday's lumps were smooth and the spaces between them were even and white. In the yard, the snow had rolled in on waves of wind from over the far fence and dropped quietly and deeply. It filled the space from the back of the house to the alley, then buried the fence and the alley. Then it buried the Erby's fence across the way; then buried their yard, too. Then everything was all the same.

When the wind blew hard enough to make the electric pole by the corner sway and the wires clack and chatter their icy silver loads that had been building through the storm, Pop-pop looked up and down the alley. He shook his head. "We'd best stay in," he said. "All of us." Falling wires, he said. Careful, he said. Electrocution, he said.

Nanna looked into the pantry and shook her head. "Food'll never last," she said.

When the wind howled, the snow rose alive, spinning, and the world went white. So big a thing as Mount Amos disappeared. So too, did Aunt and Uncle Erby's house across the alley. Our yard began, now, at the back door and went on forever, around other houses and on forever. The world was just our place, just our house and the sweetly shaped mounds of snow stretching forever. A few black lines crossed above, or rose from it. A pole down the way. The very tips of the back fence, dead black morning glory vines still hanging in tatters from summer. Then nothing. The end of the world. Our place only.

I said once that by the time the telegram came, I already knew. Here's what happened.

It was in that snow. Mother and I were on the front porch. A trolley passed the house and rumbled slowly, slipping, wheels spinning uphill toward the end of town. A man came up the sidewalk. Through the snow I heard him whistling Rum and Coca-Cola. I laughed. Snow was blowing in front, behind, around him. It was climbing his legs and wrapping his face. It looked as if you could see right through him, as though pieces of him were being carved away by the wind. He looked alive inside with snow.

I laughed some more. He heard me laugh and looked up. He saw me on the porch with Mother. He looked at the door behind me then at the envelope in his hand. I laughed and he had seen us. Mother was tucking me, buttoning my face into the wool snow suit, already wet from the blowing snow. I laughed and she turned to see. She saw the man coming and stopped, her fingers stopped on the button at my mouth. I could smell cold, wet wool and my mother's warm skin, cold cream smooth and fragrant from morning's dishes.

The street was empty. The hill was white all the way to where it disappeared. Black sticks stuck out, here, there: Trees. A fence. Phone poles. The trolley tracks were black lines along the way, then they glazed over white, then vanished. The wind howled and for a minute the street faded into white, then vanished, too. The man disappeared with the rest of the world. The world was our porch and Mother frozen at my mouth and I thought, "Good. He's gone. Daddy'll be alright." Then the wind dropped its voice, and the man stepped onto our porch and shook his hat like a dog.

There was nothing to it at all. He wiped his glasses with his finger like a windshield wiper. They fogged up again and he took them off and squinted at the paper.

"Mrs. Er-ness-toe De Angel...?"

Mother nodded. "DeAngelo, yes. Ernest. It's just Ernie. His name is. Yes. Ernesto. But he's just Ernie."

He brushed the snow off the envelope, gently. He was so gentle; she reached for it, took it, held it, turned it over in her hands. He said, "sign here," and gave her a book and a pen. It wouldn't write.

"Sorry," she said. He took back the pen and blew on it, then rolled it between his two hands, shook it. A big splat of blue plopped onto the snow on the porch. "Sorry," he said. She said, "That's alright." and wrote in the man's book. She put the cap back on the pen and handed it to him, said, "I'll have to get you some money..." and he, "That's okay, Mrs. ma'am. That's okay. I don't need any. I don't usually get." Then he was gone toward town. Another blast of wind rolled the snow, but I could still see him. In a second, the trolley loomed down the hill. It slid on the rails. Sparks showered into the snow from the line above. It stopped. Silent for a moment. It was the only thing we could see in the world. And the man. The trolley and the man. The man got into the trolley. The bell clanged and sounded very close in the wooly snow and the silence. The sweep of the wind went with it, somehow. The trolley growled its sandy wheels against the tracks and disappeared toward town.

Mother held the envelope. I had been forgotten. The wooly button at my mouth was still loose. The envelope was very small.

I knew it meant that daddy wouldn't be home; that he was going to stay at the Pacific Theater. Until the next show. Or the next one. Can you imagine that? That he'd stay away for a long, long time and that I'd be an orphan, now. I didn't want people to look at me right then. I didn't want them to talk to me. All I knew was the backyard was filled with snow taller than me.

I followed her into the house. I was a ghost. Invisible, I could make noises but not lift things, not change things. I could only be what had already been.

No one spoke. Mother stood in the living room and looked at the envelope. It dripped. Nanna came down from upstairs and stopped on the steps to look. Pop-pop came in from the kitchen and looked. I continued on through the house. No one noticed. To the kitchen. There were voices, distant, behind me. I went out back. I was ready for the snow, for the day. The whole expanse of the yard was at my feet. The snow drifted in curving hills to the second floor of Uncle Erby's place. Maggie the dog, looked out an upper window at me. Her tongue on the glass made clear places in the breath haze that bloomed around her nose and muzzle.

The snow started at my feet. I could tunnel through the world, I thought. A tunnel could go anywhere. Everywhere. It would be very cold under the snow, but maybe not too dark. Snow was white.

I dragged open the door to the back porch toilet, the kaibo Pop-pop called it. It was now just a storage place for garden things, junk, old spiders and must, things forgotten. My summer shovel and pail. Too small to dig a tunnel through the world. I tossed them aside. I found Nanna's garden spade. Too long. Too heavy. Pop-pop's cinder shovel was just my size. He used it to fill gunny sacks with furnace ashes. These he kept in the trunk of the LaSalle for winter weight, for traction. The shovel was short. Light. It had a pointed blade. I could dig anywhere with it. A good tool is the first part of a good job, Daddy'd said.

I scooped as I waded down the steps. I tossed, packed, shoved and soon was at the bottom of the porch stairs. The snow rose over my head. I was surrounded by whiteness and was dripping hot already. Sweat tickled down my back and became cold on my skin. I pushed my mittens into the snow in front. It gave way. I leaned into it and fell, slowly, gently carried to the ground. I scooped shovelsful behind me. Soon I was on my knees and burrowing like a groundhog on my way. I shoved the cold, packed whiteness aside, pressing it against the walls of my tunnel. Forcing my way into the heart of winter. It was bright day.

I realized soon how large the world was. I had no idea before. I scooped and scraped, patted and pressed the sides of the tunnel, the roof, smoothed it all, made it nice. Kept going. The sun was far away, on the other side of the snow roof. Out there.

Faint light seeped from where I had begun at the porch, down to where I dug. It darkened as I scooped. I wished I had brought daddy's nightcrawler lantern. I could see it under his bench in the basement. I could see it in the cardboard box, a rag covering most of it. I could see its little clear dome and shiny handle, its flat metal base. I could feel its weight, carrying it. In the darkening snow tunnel, I could almost see the rings of light it made on the tree leaves overhead, could almost hear daddy talking about the fishing we'd have with this beauty that he dangled in my nose before dropping it wriggling into the pail, laughing. Mosquitos and other sweaty summer bugs sang in my ears, climbed in the light against the leaves. The fat worm wriggled into the dirt in the pail and was gone.

The lamp was back there, a world away. In the basement, under the place where people talked.

My breath was just dull gray, now, not silver bright anymore. I wondered how far I'd come. Nowhere near the other side of the world, I knew that. I didn't think I was even at the end of the yard. I tucked my knees to my chin and scooted 'round to lean against the tunnel wall and breathe. The Erby house was ahead. I'd have to get around it. That was first. Then around their garage. Then through Pan's Park. Then up the mountain. After the mountain was the other side, down to Carsonia. A long way from there was Philly. After that, I wasn't sure. I knew that the Pacific Theater started somewhere after Philly. Daddy had gone first to Philly. Then somewhere else.

If I could only remember what Daddy had said. About everything. I could find him, if I could remember. I knew that. Everything that Daddy had said was important, now. Was clues. I had to remember to not get confused with other things. Things I made up, things other people told me. If I could remember it all, I could get to him and we could watch Gone With the Wind together at the Pacific Theater, then come home. Maybe get some ice cream first at Rexall, some hot chocolate. Then we'd come home. I was really mad. Just like daddy got sometimes at me. I was really mad!

When I punched the sides of the tunnel, the wall gave way a little. I punched it again, then I scooped. I widened the scoop. I scraped above, dug below. Soon there was a side passage going a different way. It pointed toward 18th Street. I knew that. The world was so large. I could avoid the Erby house, go around it, then up, up, up the mountain. I started deepening this new route. It was very, very dark in a very short time. Black. I had to back out to where I had branched off. Maybe the other way. I dug for another few minutes until it got too dark in that way and returned to the main shaft.

A curve? Maybe the light would follow a gentle bend? It seemed right and I started to angle left, making the main route to the world into a long gentle arc. Soon it was dark again and I just wanted to stretch out and rest. I was going to need light. I scooped out a little room in the snow, enough space for me to just stretch out. I lay flat on my back. Looked up. If I closed my eyes and pressed against them with my mittens, it was a different dark than if I kept them open. I liked that. It was so quiet out here in the world. The snow was just a few inches above my face. I reached up and smoothed it. Smoothed it flat. Smoothed it hard like a well-packed snowball. It was warmer in there than it was on the outside where wind blew and the cold tried to suck the air out of my chest. There was no wind and the tips of my ears were hot. My fingers were wrinkled. It was warm. I made a little place to lean. It fit me well and was so comfortable. I scraped the ceiling. Some snow fell in my face. It tasted good. Almost sweet. It melted in my mouth and trickled down my throat. It melted on my nose and ran down my neck.

How long would the snow last? How long until it went away and the whole earth would be hard and confusing again with too many roads everywhere and not enough ways to get there? Snow always lasted a long time, but never long enough. I couldn't really rest if I was going to tunnel to the Pacific to find Daddy. I started again. Didn't think, just started into the darkness.

That is what I'm doing, I said. I'm digging to find Daddy at the Pacific Theater and watch Gone With the Wind with him, Sock, the Morons, the First Shirt and all the guys from basic training and his letters. We'd all be together. Maybe I'd need an airplane to fly over the boot camp, to fly over England where the drooling British lived in darkness, and to get to the Pacific Theater where they were all watching Gone With the Wind. I knew it was a long way to travel. But all the world was covered in snow. I was certain of that and that meant that I could get there from here. I'd dig under boot camp, under the British. Then I'll bring him home and we can all go to Carsonia Park and this time, THIS time, I will, I will ride Blitzen the Roller Coaster and maybe I'll even stand and not worry about the "Don't Stand" sign. I'll forget about rats and dirty feet. We'll go to the shooting gallery and shoot the bear together and win big rabbits and give them to Mother. I won't loose my shirt, I won't loose my head.

I was digging in the dark as I was thinking. It was pitch black. I couldn't see anything. I could just feel the snow, the cool snow giving way and being left behind. I hit something. It was hard. It was not ground, not snow. I scraped away around it. It was wood. I could feel it. Wood. It was smooth. I recognized its feel. It was an edge, the edge of my sandbox. I had dug to the sandbox. I was only to the sandbox. On it, had I been able to see, would be puppies playing with butterflies. A boy and a girl digging in the sand by a beach. Waves would be rolling, painted on the wood of my sandbox. I was only to the box and days must have gone by since I started. I scooped around the edge of the box, opened up the tunnel to another direction. I was angry, yelling, was only to the sandbox. I stopped and leaned against the wood. It felt warm. Summer was still in it. The plywood top covered the sand. The sand was summer. It was still there. Still in the box under the snow with me. It was summer and back when I had a daddy.

I could hear my breath coming in and going out. I couldn't see it. Soon I got quieter. It was warmer. I heard nothing. No breathing. No. No wind. Nothing at all. Not Carsonia. Just the distant voices of memory.

My tunnel dropped away; it fell behind me. I was lifted from the world into a swirl of snow and the blasts of wind; there were arms all around me. There were legs and chests, Pop-pop's jowls and Mother. Her hands took me. Hands carried me to the house. It was hot. I was laid on the table. The light was overhead. Bright. I felt hands reaching, opening my snowsuit, hands reaching into the wet wool and drawing me out, peeling my clothes away. Then, I was bare and was being carried up the steps. Water was running in the tub. Mother's hands rubbed me. Nanna's voice said rub him with a terrycloth towel. Rub him and here, make him drink this shot of liquor. And burning hot, it went down my throat and sat warm in my stomach. I wanted to and I did throw up. Then I went into the hot, hot water and everything was steam, and water lapping in my ears. And there were tears.

Later, Mother told me, in bed, that Daddy was lost in action in the Pacific Theater. I knew that. But I listened to her anyway.

I wondered for days after if I had died. Of course I had not. Dr. Kotzen said I was fine. Pop-pop looked for his shovel for a long time. I kept thinking it was in the Pacific, but when the snow was gone, there it was.

                                              -- Copyright 1998 Lawrence Santoro